{"id":1460,"date":"2024-06-07T07:18:06","date_gmt":"2024-06-07T07:18:06","guid":{"rendered":"https:\/\/chemch2024.educell.sk\/?page_id=1460"},"modified":"2024-06-13T11:35:30","modified_gmt":"2024-06-13T11:35:30","slug":"crysac-workshop","status":"publish","type":"page","link":"https:\/\/chemch2024.educell.sk\/?page_id=1460","title":{"rendered":"CrysAc Workshop"},"content":{"rendered":"\n
\"\"<\/td>\"\"<\/td>\"\"<\/td>\"CHEMCH<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

7th<\/sup> CrysAC workshop on<\/em><\/strong><\/h2>\n\n\n\n

\u201cProvenance Studies in Art and Cultural Heritage\u201d<\/strong><\/p>\n\n\n\n

Slovak National Gallery, Rie\u010dna 1, Bratislava, Slovakia<\/p>\n\n\n\n

July 1, 2024, 10:00-17:00<\/strong><\/p>\n\n\n

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\u00a9 Matej Hak\u00e1r<\/figcaption><\/figure><\/div>\n\n\n

There is no fee<\/mark><\/strong> for participants but registration is required<\/strong> for both the physical and remote attendees.<\/p>\n\n\n\n

Please register using this<\/mark><\/strong> <\/strong><\/a>online form<\/strong><\/a>.<\/strong><\/p>\n\n\n\n

In keeping with the terms of reference of the Commission, the CrysAC workshop on \u201cProvenance Studies in Art and Cultural Heritage<\/strong>\u201d is within the series of one-day workshops organized by the IUCr Commission on Crystallography in Art and Cultural Heritage<\/a>, aimed to stimulate knowledge exchange between crystallographers, researchers and other experts interested in Cultural Heritage investigations. Different communities are invited to present reviews of established research, recent results, and envisaged trends in key areas of Archaeometry and Conservation Science.<\/p>\n\n\n\n

The present workshop, organized as a satellite meeting of the 7th<\/sup> International Congress Chemistry for Cultural Heritage<\/a> (CHemCH 2024, Bratislava, Slovakia), will invite scientists from research institutions, museums, and conservation bodies, to illustrate state-of-the-art studies focusing on determining the origin of materials (manufacturing method or natural sources) and provenance of art objects (whether in the sense of regional, workshop, or period) using methods of advanced materials analysis. Although only invited contributions are planned, all interested people are invited to exchange ideas and discuss the presented topics.<\/p>\n\n\n\n

The participants who do not attend the ChemCH conference can visit the Slovak National Gallery restoration studio. The ChemCH participants will have the opportunity to attend the excursion into the Slovak National Gallery during the conference.<\/p>\n\n\n\n

The workshop will be streamed thus you can watch it online using the link sent to you by e-mail after your registration.<\/p>\n\n\n\n

In case of any inconvenience, please contact the organizer Dr. Silvie Svarcova<\/strong> (svarcova@iic.cas.cz<\/a>).<\/p>\n\n\n\n

Program<\/mark><\/strong><\/h2>\n\n\n\n

9:30 \u2013 10:00           Registration<\/p>\n\n\n\n

10:00 \u2013 10:10        Opening and introduction<\/p>\n\n\n\n

10:10 \u2013 10:30        Veronika Gab\u010dov\u00e1, Michal Oravec<\/strong> (Slovak National Gallery, Slovakia)<\/em> \u201cIntroduction to the Slovak National Gallery\u201d<\/p>\n\n\n\n

10:30 \u2013 11:00        David Hradil<\/strong> (ALMA Laboratory, Institute of Inorganic Chemistry CAS, Czech Republic<\/em>)   \u201cDiffracting Mud: Clay Minerals in Paintings as Provenance Indicators\u201d<\/p>\n\n\n\n

11:00 \u2013 11:30       Anna Imbert \u0160tulc <\/strong>et al. <\/em>(AASPE UMR 7209, CNRS-MNHN, Paris, France & ALMA Laboratory, IIC CAS, Czech Republic<\/em>) \u201cTracing the Origin of Notre Dame Timber Wood: Elemental and Isotopic (Strontium and Neodymium) Markers\u201d<\/p>\n\n\n\n

11:30 \u2013 12:00        Barbara \u0141yd\u017cba-Kopczy\u0144ska <\/strong>(Cultural Heritage Research Laboratory, Faculty of Chemistry,<\/em> University of Wroc\u0142aw, Poland<\/em>) \u201cA multi-modal Investigation of the Provenance of Amber\u201d<\/p>\n\n\n\n

12:00 \u2013 12:10        Commercial presentation<\/p>\n\n\n\n

12:10 \u2013 13:30        Lunch<\/p>\n\n\n\n

13:30 \u2013 14:00        Alicja Rafalska-\u0141asocha <\/strong>(Faculty of Chemistry, Jagiellonian University, Polan<\/em> \u201cX-ray Powder Diffractometry and Other Techniques in the Provenance Studies of the Objects of Cultural Heritage\u201d<\/p>\n\n\n\n

14:00 \u2013 14:30        Jan Kamen\u00edk<\/strong> et al.<\/em> (Nuclear Physics Institute CAS, Czech Republic<\/em>) \u201cDating of the Oldest Layers from Korolevo Site at Western Ukraine by Cosmogenic Nuclides\u201d<\/p>\n\n\n\n

14:30 \u2013 15:00       Francesca Galluzzi<\/strong> et al.<\/em> (CBMN UMR 5248, CNRS-University of Bordeaux, France &<\/em> Arch\u00e9osciences-Bordeaux, UMR 6034, CNRS-Universit\u00e9 Bordeaux Montaigne, France<\/em>) \u201cMinimally Invasive Proteomics in Cultural Heritage Studies: Investigating Museum Objects\u201d<\/p>\n\n\n\n

15:00 \u2013 15:30\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Frederik Vanmeert <\/strong>(Rijksmuseum, Amsterdam, the Netherlands<\/em>) \u201cRevealing Subtle Differences within Vermeer’s Palette sing MA-XRPD\u201d<\/p>\n\n\n\n

15:30                       Closing remarks<\/p>\n\n\n\n

15:45 \u2013 17:00       Visit of the restoration studios at the SNG<\/p>\n\n\n\n

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