{"id":1453,"date":"2024-06-06T13:13:01","date_gmt":"2024-06-06T13:13:01","guid":{"rendered":"https:\/\/chemch2024.educell.sk\/?page_id=1453"},"modified":"2024-07-10T14:02:29","modified_gmt":"2024-07-10T14:02:29","slug":"posters","status":"publish","type":"page","link":"https:\/\/chemch2024.educell.sk\/?page_id=1453","title":{"rendered":"Posters"},"content":{"rendered":"

Clicking on the poster name highlighted in green<\/strong> will display a photo of the poster.<\/p>\n

[vc_row][vc_column]

#<\/th>Title<\/th>Author(s)<\/th>Starts at 13:30<\/th>Poster Session<\/th><\/tr><\/thead>
1<\/td>EXPLORING HISTORICAL DEVELOPMENT AND ANALYZING PROPERTIES OF PAPER: ADVANCES IN DATA PROCESSING METHODS<\/a><\/td>Martina \u0160ottov\u00e1<\/a> <\/td><\/td><\/td><\/tr>
2<\/td>PROPOSAL FOR A REMEDIATION METHOD FOR THE \u201cVINEGAR SYNDROME\u201d IN CELLULOSE ACETATE-BASED MOTION PICTURE FILMS<\/a><\/td>Emiliano Carretti<\/a> <\/td><\/td><\/td><\/tr>
3<\/td>T\u0102RT\u0102RIA - A EVERLASTING STORY<\/a><\/td>Mihai Straticiuc<\/a> <\/td><\/td><\/td><\/tr>
4<\/td>REVERSE GLASS PAINTINGS AND HOW TO STUDY THEM<\/a><\/td>Gabriela Vyskocilova<\/a> <\/td><\/td><\/td><\/tr>
5<\/td>STUDY OF PAINT LAYERS USING MA-XRF ANALYSIS<\/a><\/td>Michal Oravec<\/a> <\/td><\/td><\/td><\/tr>
6<\/td>ICON OF OUR LADY OF JERUSALEM \u201cMERCIFUL\u201d FROM THE BEGINNING OF THE 15TH CENTURY AD: STUDY OF THE PAINT LAYERS AND GESSO USING OPTICAL MICROSCOPY, XRD, SEM \/ EDS ANALYSIS AND RAMAN SPECTROSCOPY, DENDROCHRONOLOGICAL AND RADIOCARBON AMS DATING OF THE WOODEN PANEL OF THE ICON<\/td>Mariya Kabanova<\/a> <\/td><\/td><\/td><\/tr>
7<\/td>DETERMINATION OF THE CAUSE OF THE FRESHWATER RESERVOIR EFFECT DURING RADIOCARBON DATING OF CERAMIC PASTE OF TWO VESSELS OF THE TEXTILE CERAMICS CULTURE FROM THE BRONZE AGE HEARTH COMPLEX.<\/td>Konstantin Voronin<\/a> <\/td><\/td><\/td><\/tr>
8<\/td>A COMPARISON AMONG TGA, SEM-EDX AND RAMAN SPECTROSCOPY TO ASSESS PVC PLASTICIZER LOSS IN THE PRESENCE OF VARIOUS WRAPPING MATERIALS.<\/a><\/td>Sophie Cantin<\/a> <\/td><\/td><\/td><\/tr>
9<\/td>EXPLORING EXCHANGE ROUTES OF SCHIST ARTEFACTS IN IBERIAN CHALCOLITHIC BY X-RAY AND NEUTRON-BASED NON-DESTRUCTIVE ANALYTICAL METHODS<\/a><\/td>Ana Lu\u00edsa Rodrigues<\/a> <\/td><\/td><\/td><\/tr>
10<\/td>INVESTIGATION OF THE GOTHIC RELIEF SCULPTURE OF THE HOLY TRINITY FROM POLOMA FROM THE WORKSHOP OF MASTER PAUL FROM LEVO\u010cA<\/td>Stanislava Trginov\u00e1<\/a> <\/td><\/td><\/td><\/tr>
11<\/td>INVESTIGATING POLYSACCHARIDE BASED CONSOLIDANTS FOR FRAGILE ARCHAEOLOGICAL WOOLLEN TEXTILES<\/a><\/td>Jennifer M.K. Wakefield<\/a> <\/td><\/td><\/td><\/tr>
12<\/td>X-RAY METHODS FOR ASSESSING DESALINATION EFFICIENCY AND REUSABILITY OF MICROCELLULOSE FOAMS AND NANOCELLULOSE AEROGELS IN MURAL PAINTINGS<\/a><\/td>Maite Maguregui<\/a> <\/td><\/td><\/td><\/tr>
13<\/td>AIR QUALITY IN THE DEPOSITORIES OF THE NATIONAL LIBRARY OF THE CZECH REPUBLIC OR PREVENTION OF BOOK DAMAGE<\/a><\/td>Jitka Neoralov\u00e1<\/a> <\/td><\/td><\/td><\/tr>
14<\/td>HISTORY AND PRESENT OF MULTISPECTRAL IMAGING IN THE NATIONAL LIBRARY OF THE CZECH REPUBLIC<\/a><\/td>Jitka Neoralov\u00e1<\/a> <\/td><\/td><\/td><\/tr>
15<\/td>NEUTRON RADIOGRAPHY OF MOISTURE SORPTION\/DESORPTION IN HALLOYSITE NANOTUBE-TREATED (NEW AND HISTORICAL) LEATHER IN A CONTROLLED ENVIRONMENT<\/a><\/td>Elena Badea<\/a> <\/td><\/td><\/td><\/tr>
16<\/td>PROTECTION OF BRONZE AND ITS BLACK AND GREEN PATINA FROM ATMOSPHERIC CORROSION BY POLYMER NANO-THICK COATINGS<\/a><\/td>Domagoj \u0160atovi\u010d<\/a> <\/td><\/td><\/td><\/tr>
17<\/td>STUDY OF DEGRADATIVE EFFECTS OF LOW-TEMPERATURE PLASMA ON OBJECTS OF HERITAGE MADE FROM NATURAL AND SYNTHETIC POLYMERS<\/a><\/td>Dominika Smatanov\u00e1<\/a> <\/td><\/td><\/td><\/tr>
18<\/td>DIVERSITY OF CHEMICAL COMPOSITION OF SYNTHETIC PAINTS PRESENT ON POLISH PAINTERS\u2019 PALLETTES<\/a><\/td>Magdalena Wr\u00f3bel-Szypula<\/a> <\/td><\/td><\/td><\/tr>
19<\/td>DEVELOPMENT OF GREEN STRATEGIES FOR THE CLEANING OF STREET ART AND PAINTINGS<\/a><\/td>Silvia Prati<\/a> <\/td><\/td><\/td><\/tr>
20<\/td>INVESTIGATION OF THE EFFECTS OF ION BEAMS TECHNIQUES ON PARCHMENT: USING FTIR IMAGING SYSTEM COUPLED WITH ADVANCED DATA PROCESSING METHODS<\/a><\/td>Mingchi Ma<\/a> <\/td><\/td><\/td><\/tr>
21<\/td>MA-XRF STUDY OF VAN GOGH'S USE OF GERANIUM LAKE<\/a><\/td>Teresa Scovacricchi<\/a> <\/td><\/td><\/td><\/tr>
22<\/td>SUSTAINABLE ARCHIVAL MATERIALS FOR HISTORICAL PAPER COLLECTIONS: A NEW PROTOCOL FOR CHARACTERIZING AND ASSESSING THE IMPACT OF VOLATILE ORGANIC COMPOUNDS<\/a><\/td>Randa Deraz<\/a> <\/td><\/td><\/td><\/tr>
23<\/td>MICROORGANISMS ASSISTED FORMATION OF CALCIUM OXALATE ON CULTURAL HERITAGE MATERIALS<\/a><\/td>Ludovico Geminiani<\/a> <\/td><\/td><\/td><\/tr>
24<\/td>ANALYTICAL EVIDENCE AND IMITATION OF "HUNGARIAN MOUNTAIN GREEN", A SEMI-NATURAL CU PIGMENT FROM BANSK\u00c1 BYSTRICA (NEUSOHL) REGION<\/a><\/td>Mark\u00e9ta \u017d\u016frkov\u00e1<\/a> <\/td><\/td><\/td><\/tr>
25<\/td>OPTIMIZATION OF SCANNING PARAMETERS FOR NON-INVASIVE IMAGE ANALYSIS USING MA-XRF SPECTROMETRY<\/a><\/td>Michal Pech<\/a> <\/td><\/td><\/td><\/tr>
26<\/td>IDENTIFICATION OF TEXTILE FIBERS OF FUNERARY TEXTILES FROM DIFFERENT BURIAL CONTEXTS<\/a><\/td>Zuzana Machatov\u00e1<\/a> <\/td><\/td><\/td><\/tr>
27<\/td>CLEANING ALBUMEN PHOTOGRAPHS WITH LOCALLY AVAILABLE MATERIALS AND ITS IMPACT ON ALBUMEN PROPERTIES<\/a><\/td>Barbora Palat\u00ednusov\u00e1<\/a> <\/td><\/td><\/td><\/tr>
28<\/td>SYNTHETIC ORGANIC PIGMENTS IN POSTWAR ARTISTS\u2019 PAINTS: ANALYTICAL RESULTS IN THE CONTEXT OF ARCHIVAL DOCUMENTS<\/a><\/td>Sarah Critchley<\/a> <\/td><\/td><\/td><\/tr>
29<\/td>MULTI-ANALYTICAL ASSESSMENT OF ARCHAEOLOGICAL WOOD PRESERVATION: A CASE STUDY FROM LA DRAGA, SPAIN<\/a><\/td>Deborah Roversi<\/a> <\/td><\/td><\/td><\/tr>
30<\/td>ARCHAEOMETRIC ANALYSES OF MEDIEVAL POTTERY FROM THE LOWER DANUBE REGION, ROMANIA<\/a><\/td>Roxana-Nicoleta Bugoi<\/a> <\/td><\/td><\/td><\/tr>
31<\/td>ARCHAEOMETRIC CHARACTERISATION OF REDUCTION-FIRED POLISHED JUGS FROM THE EARLY MODERN PERIOD BELGRADE<\/a><\/td>Ljiljana Damjanovi\u0107-Vasili\u0107<\/a> <\/td><\/td><\/td><\/tr>
32<\/td>DEVELOPMENT AND TESTING OF NEW SYSTEMS BASED ON LAYERED DOUBLE HYDROXIDES FOR STABILIZATION OF PAPER INFORMATION CARRIERS<\/a><\/td>Eva Guzikiewiczov\u00e1<\/a> <\/td><\/td><\/td><\/tr>
33<\/td>EFFECT OF LOW-TEMPERATURE ADRE PLASMA ON PHOTOGRAPHIC NEGATIVES<\/a><\/td>Du\u0161ana Gre\u0161ov\u00e1<\/a> <\/td><\/td><\/td><\/tr>
34<\/td>MIGRATION OF ADDITIVES IN PVC-P INDUCED BY ACCELERATED AGEING<\/td>Katar\u00edna Ku\u010d\u00edkov\u00e1<\/a> <\/td><\/td><\/td><\/tr>
35<\/td>IDENTIFICATION OF VARNISHED PLASTICIZED PVC IN THE COLLECTIONS OF THE FRENCH MUSEUM OF DECORATIVE ARTS<\/a><\/td>Mathilde Larrieu<\/a> <\/td><\/td><\/td><\/tr>
36<\/td>CHARACTERIZATION OF THE UNIQUE ATTRIBUTES OF EXTRA THIN WASHI PAPERS<\/td>Aldona Jedrusik<\/a> <\/td><\/td><\/td><\/tr>
37<\/td>MINEROLOGICAL STUDIES OF RED POTTERY FROM THE NEOLITHIC AND BRONZE AGES ON THE KOREAN PENINSULA<\/td>Young Rang Uhm<\/a> <\/td><\/td><\/td><\/tr>
38<\/td>INTEGRATED SPECTROSCOPIC ANALYSIS OF PERUGINO'S MASTERPIECES IN CENTRAL ITALY: NON-INVASIVE MULTI-TECHNIQUE INVESTIGATIONS<\/td>Francesca Volpi<\/a> <\/td><\/td><\/td><\/tr>
39<\/td>AMMONIA-OXIDATION AND DE-CARBONATION DETECTED ON STONE OF ANGKOR MONUMENTS AND IMPLICATIONS FOR CONSERVATION<\/td>Ji-Dong Gu<\/a> <\/td><\/td><\/td><\/tr>
40<\/td>ORGANIC ACIDS AND DEGRADATION OF LIGNIN-CONTAINING PAPER<\/td>Ida Kra\u0161evec<\/a> <\/td><\/td><\/td><\/tr>
41<\/td>DEGRADATION AND CHEMICAL PROPERTIES OF VINCENT VAN GOGH\u2019S PRUSSIAN BLUE OIL PAINTS INVESTIGATED THROUGH PAINT RECONSTRUCTIONS<\/a><\/td>Suzanne Reus<\/a> <\/td><\/td><\/td><\/tr>
42<\/td>A SYSTEMATIC STUDY OF IRON-GALL INKS: HOW THEIR VARIABILITY AFFECTS THE DEGRADATION PROCESSES<\/a><\/td>Salvatore Caterino<\/a> <\/td><\/td><\/td><\/tr>
43<\/td>EFFECTIVENESS OF DIFFERENT CHEMICAL CLEANING METHODS TO REMOVE GRAFFITI FROM ORNAMENTAL STONES: THE CASE OF VARYING ORGANIC SOLVENTS CONCENTRATIONS AND POULTICES<\/td>Angela Calvar-Santamaria<\/a> <\/td><\/td><\/td><\/tr>
44<\/td>USING GREEN SOLVENTS TO ENHANCE THE BIOAVAILABILITY OF XENOBIOTICS AND THUS FAVOUR THEIR REMOVAL FROM BUILT HERITAGE<\/td>Patricia Sanmart\u00edn<\/a> <\/td><\/td><\/td><\/tr>
45<\/td>TIO2 ENRICHED SIO2 NANOCONTAINERS FOR THE PROTECTION OF STONE SURFACES<\/a><\/td>Andrea Campostrini<\/a> <\/td><\/td>Vinner of the Student Poster Awards<\/td><\/tr>
46<\/td>DESIGN & STUDY OF COST-EFFECTIVE CONSERVATION OF WATERCOLOR PAPER<\/a><\/td>Woon Lam Ng<\/a> <\/td><\/td><\/td><\/tr>
47<\/td>ANALYSIS AND TREATMENT OF THE ALIEN FROM THE STUFF<\/a><\/td>Rebecca Ploeger<\/a> <\/td><\/td><\/td><\/tr>
48<\/td>PRELIMINARY RESULTS ON CLEANING OF URBAN ART MURALS<\/td>Varvara Marazioti<\/a> <\/td><\/td><\/td><\/tr>
49<\/td>CHARACTERISATION OF THE BUILDING GRANITES AND SURFACE FINISHES OF THE CHAPEL OF NOSSA SENHORA DOS PRAZERES IN THE CASA MATEUS PALACE COMPLEX (VILA REAL, PORTUGAL)<\/a><\/td>Vendula Natherov\u00e1<\/a> <\/td><\/td><\/td><\/tr>
50<\/td>UNVEILING THE CHEMISTRY OF STREET ART BY A MULTI-TECHNIQUE APPROACH<\/a><\/td>Cosima Damiana Calvano<\/a> <\/td><\/td><\/td><\/tr>
51<\/td>UNVEILING THE PAINTING TECHNIQUE OF THE GALLO-ROMAN WALL PAINTINGS OF LIMONUM: A MULTI-ANALYTICAL STUDY<\/a><\/td>Adriana Iuliano<\/a> <\/td><\/td><\/td><\/tr>
52<\/td>CRYSTAL PALACE DINOSAURS: A PICTURE OF THE PAST THROUGH THE STUDY OF THE SCULPTURES\u2019 PAINTING MATERIALS<\/a><\/td>Francesca Gherardi<\/a> <\/td><\/td><\/td><\/tr>
53<\/td>ION BEAM ANALYSES ON LATE IRON AGE GLASS FINDS EXCAVATED AT TINOSU, PRAHOVA COUNTY, ROMANIA<\/a><\/td>Roxana-Nicoleta Bugoi<\/a> <\/td><\/td><\/td><\/tr>
54<\/td>UNVEILING PROVENANCE AND PRODUCTION TECHNOLOGIES OF CHALCOLITHIC LOOM WEIGHTS FROM VILA NOVA DE S\u00c3O PEDRO (PORTUGAL) BY A MULTI-ANALYTICAL APPROACH<\/td>Rosa Marques<\/a> <\/td><\/td><\/td><\/tr>
55<\/td>THE APPEAL OF PIGMENTS AND GOLD COLOURING ON A DAGUERREOTYPE FROM THE VARA\u017dDIN CITY MUSEUM, CROATIA<\/a><\/td>Valentina L. Tobisch<\/a> <\/td><\/td><\/td><\/tr>
56<\/td>EXCITE Network: European Union-funded platform offering access to structural and chemical imaging techniques<\/a><\/td>Eva Zikmundov\u00e1<\/a> <\/td><\/td><\/td><\/tr>
57<\/td>CHALLENGES IN THE PROTECTION OF OUTDOOR STREET ARTWORKS<\/a><\/td>Francesca Caterina Izzo<\/a> <\/td><\/td><\/td><\/tr>
58<\/td>On etching and reproduction of daguerreotypes: comparison and characterization of prints<\/a><\/td>Valentina L. Tobisch<\/a> <\/td><\/td><\/td><\/tr><\/tbody><\/table><\/div><\/div><\/div><\/div><\/div>[\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

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